Mumbai: Noted music composer and director Vanraj Bhatia died at his home here Friday, according to a friend. He was 94. Vanraj Bhatia had composed music for parallel cinema classics such as Bhumika, Junoon, 36 Chowringhee Lane and Jaane Bhi Do Yaaro.
“I was in regular touch with him. His caretaker informed me around 9.00am that Bhatia has passed away. He had dementia, arthritis. He was bedridden for over a month,” music historian and friend Pavan Jha informed. Bhatia lived alone at his apartment in Rungta Housing Colony on Napean Sea Road.
A legend in the music world, Bhatia leaves behind an impressive legacy through his compositions in films and also television. “He provided the soundtrack of our childhoods in the 80s and 90s. With him, we have lost a legend,” lyricist-writer Varun Grover said.
“Vanraj Bhatia was the man behind some of the most beautiful soundtracks of Indian parallel cinema. His wide range (Marathi folk in Bhumika to Hindustani classical in Sardari Begum to cool experimental in Bharat Ek Khoj) made him one of the most exciting composers of that era,” added Grover.
Born into a Kutchi business family in Mumbai, Bhatia started training in music from a young age. He became interested in Western classical music in his teenage years and started taking piano lessons.
Bhatia did his post-graduation from Elphinstone College, University of Bombay, in 1949. He studied at the Royal Academy of Music, London, where he graduated with a gold medal in 1954. He also trained in Paris.
Bhatia started his professional journey by composing music for advertisements. He made his cinema debut with director Shyam Benegal’s first film Ankur in 1974. It was the beginning of one of the most fruitful collaborations in Hindi cinema music. The two worked together in Bhumika, Manthan and Mandi. Bhatia went on to become the go-to composer for directors in the new wave of Indian cinema music of the 70s and 80s.
Bhatia won the National Film Award for best music direction for Govind Nihalani’s critically-acclaimed Tamas. Among other films he composed music for were, Aparna Sen’s 36 Chowringhee Lane, Saeed Akhtar Mirza’s Mohan Joshi Haazir Ho!, Kumar Shahani’s Tarang and Vidhu Vinod Chopra’s Khamosh.
Besides, the music director composed the background score of mainstream Hindi films such as Damini and Pardes. Bhatia was honoured with the Padma Shri in 2012. His last work was an opera titled Agni Varsha which was performed in New York.
The tributes came in quick and fast. “Shocked to learn about the passing away of Vanraj Bhatia. Wagle ki Duniya , Jaane Bhi Do Yaaron, he leaves behind countless memories in his scores. My condolences to his loved ones & fans,” Union Minister Smriti Z Irani said on Twitter.
Actor-director Farhan Akhtar paid homage to Bhatia’s ‘brilliant’ musical works. “RIP #VanrajBhatia… Apart from the many other brilliant musical works he created, I vividly remember the theme of Tamas that started with a shriek so filled with anguish, it could send a chill up anyone’s spine and break anyone’s heart,” he tweeted.
Lyricist and censor board chief Prasoon Joshi said working with Bhatia was always a learning experience. “Will always remember #VanrajBhatia as a very inspiring musician who constantly explored with his melodies and compositions. Recordings with him will replete with new learning. You will live on through your music,” he wrote.
Filmmaker Hansal Mehta posted, ‘RIP Maestro’ and also shared a video of Bhatia’s old interview.